CINEMA PICTURE STYLE VS CINESTYLE MOVIE
Since the 2010s, most movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel.Ī great variety of films are shown at cinemas, ranging from animated films to blockbusters to documentaries. Since the 1970s, subwoofers have been used for low-pitched sounds. The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds, and music are played through a number of wall-mounted speakers. Some movie theaters, however, are operated by non-profit organizations or societies that charge members a membership fee to view films. Most, but not all, theaters are commercial operations catering to the general public, who attend by purchasing a ticket.
I do like the Canons for sure.A movie theater ( American English), cinema ( British English), also known as a picture house, the pictures, picture theatre, the silver screen, or the movies, is a building that contains auditoria for viewing films (also called movies) for entertainment. I know some people don't like them but I LOVE them for the creative possibilities. If this one has a flip out LCD that would go a long way for me on the Canon side. The 40 frame per second burst mode (4mb only) is a great added feature for photos and the live view on both the LCD and the Optical Viewfinder are my favorite way of adjusting exposure (of course this is the first camera I got out of "auto" mode on so I learned this and the GH1). The flip out LCD makes it immediately video friendly out in the field and the compact size is a pleasure to use as an all around camera (especially with the 20mm pancake lens that is easy to leave on the camera). The number one thing I LOVE about the GH2 as opposed to the Canons I've used (7D and 5D Mark II) is the usability out of the box. I can also use Nikkons and Canon FDs as well as many others. I've already played with C-mount, M42, Canon EF and Pentax K lenses. The lack of a mirror box and the plentiful lens adapters opens the possibilities up quite a bit. The only thing I would add is that there are actually a TON of lens choices with the Panasonics (maybe more?). Even if articles such as these have made me take Reid with a grain of salt on most issues he is still the authority on all the crazy weirdness of Anamorphic lenses available to the HDSLR and large chip video community. He needs to learn a bit on post production, though I do appreciate his preview of the Cinestyle next to the GH2. These videos just show me that I wouldn't want Andrew to be my colorist since all the "graded" shots are flatter than the origional raw footage, they lack any contrast or saturation. They totally have sadly turned an otherwise informative website a bit of a joke, it's sad to see someone convince himself that what he bought is the best at the sake of his credibility. There are too many "DSLRs are still totally important and better then everything" style articles. I've been following for a while now and I do feel that it's content has slipped over the last 6 months to a year, whenever the AF-100 was announced. Link: Canon 600D Technicolor CineStyle versus GH2 Cinema Mode
The GH2 holds onto a hell of a lot, so even though the Canons have sensors capable of wider dynamic range, the GH2 still beats them, CineStyle or no CineStyle.Ĭlick through to his article for more thoughts. The Canons lose so much in the scaling process, not just detail and a clean image but tonality and dynamic range. Oddly, RAW stills confirm that the GH2's sensor has less dynamic range to begin with relative to the 600D (and especially the 5D Mark II) - but clearly the Canon is not running away with it. My opinion is that the GH2 looks more 'real' and the 600D looks more 'cinema'. Here's Andrew's conclusion (note the Canon 600D is known as T3i in North America): While I certainly don't expect the Canon's resolution to hold up to the greater resolving power of the GH2, I do think that some of the Canon shots could've been graded more favorably.
Video is no longer available: /23395345Īs is often the case in these tests, the Canons don't fare too well when A/B'd with the GH2. Given CineStyle is proving tremendously popular with Canon DSLR shooters, how do the Canon DSLRs with the Technicolor picture profile compare with the Panasonic GH2? Andrew Reid from EOSHD shot a video comparing the two: First of all, Technicolor has released a new version (click on the "Registered User Download" tab) of its CineStyle LUT compatible with Red Giant's LUT Buddy and Apple Color.
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